It started with a gnome that kept cracking
[Origin story, two or three short paragraphs. What you tried first, what broke, and the moment 3D printing and cement met on the workbench. Keep it concrete: a place, a season, one specific object.]
Why cement, and why 3D
Cement has weight. It takes moss, it takes weather, and it looks better at ten years than it did on day one. That part is old. The new part is how we get the shape right. We sculpt or scan a model on screen, print it as a master, and pull a mold from that. Details that would take weeks to carve by hand come out sharp every time, and the casting is still done the way it has been for a century.
about-workshop-1
about-workshop-2
The Sandra Boynton partnership
[How the license came about and what it means for buyers. One or two paragraphs. Worth stating plainly that the Boynton statues are officially licensed and cast from approved masters.]
Blending ancient and modern techniques. Keeping artisanry alive in the modern world.
Gnome Garden
Where we are now
[The workshop today: what is in the catalogue, what is in the mold room, and what custom work looks like week to week. One paragraph.]
Who we are
about-team
[Names and roles. Who sculpts, who pours, who answers the email. One paragraph.]